MESSING UP OUR SET FOR THE SECOND HALF
RUNNING THROUGH THE SCENE TESTING LIGHTS
PRACTICING OUR TRACKING SHOT
Wednesday, 26 January 2011
These are some shots of our shoot day
Rehearsing our actress |
The propaganda posters |
Our actress writing the diary |
Our set once the bomb had hit |
Rehearsing our actress/ destroying the set |
Friday, 14 January 2011
BLITZ Shooting Script
Tracking shot: Dimly lit: The camera focuses on an underground bunker in 1940. We track across various props in the room, for example, we see some shelves filled food and books etc. we track along and see posters on the wall of properganda relevant to the time period we have set this in. We then move across to a small table where we see a small radio which we hear playing a speech of Churchill, some leaflets, ration books, letters, newspapers and ID cards etc. We close up during the track to the newspapers to see headlines of events that have happened in the war. We then track across to the bed where we see a little girl writing in her diary drawing and occupying herself from boredom.
then we cut to a shot of her writing in her diary, to create a jagged and un-settling atmosphere we make this look eerie in effects. The sound of footsteps are now detectible, seen looking scared we close up on the young girls face as she goes for cover.
We then cut to black.
A few seconds pass until we hear the sound of someone breaking in to the shelter. A sliver of light is shown inside as the doorway breaks open.
Lit by a torchlight. The bomb shelter from the previous sequence is now covered in cobwebs and some items have fallen off the walls. A man walks around the shelter with his torch focussing on certain items. Looking at the shelves and the books, then down onto the leaflets on the table. He leans over to a shelf to pick out a book and lets his torch hand by his side for a brief moment. In this moment we see the flash of a ghostly figure before he shines his torch around. He passes to her bed where he sees the diary she was writing in. He flicks through some pages before hearing a brief noise and shining the torch around the room. As he passes the corner of the room his torch shines on the ghostly figure that is revealed as the young girl.
Cut to black. White type writer letters of B L I T Z. Appear against the typing sound effect and some eerie music.
then we cut to a shot of her writing in her diary, to create a jagged and un-settling atmosphere we make this look eerie in effects. The sound of footsteps are now detectible, seen looking scared we close up on the young girls face as she goes for cover.
We then cut to black.
A few seconds pass until we hear the sound of someone breaking in to the shelter. A sliver of light is shown inside as the doorway breaks open.
Lit by a torchlight. The bomb shelter from the previous sequence is now covered in cobwebs and some items have fallen off the walls. A man walks around the shelter with his torch focussing on certain items. Looking at the shelves and the books, then down onto the leaflets on the table. He leans over to a shelf to pick out a book and lets his torch hand by his side for a brief moment. In this moment we see the flash of a ghostly figure before he shines his torch around. He passes to her bed where he sees the diary she was writing in. He flicks through some pages before hearing a brief noise and shining the torch around the room. As he passes the corner of the room his torch shines on the ghostly figure that is revealed as the young girl.
Cut to black. White type writer letters of B L I T Z. Appear against the typing sound effect and some eerie music.
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